Liu Di got the idea for his bizarre Animal Regulation series (2008) on a bus ride through the crowded suburbs of Beijing. “Looking out at the decrepit housing blocks, I had a vague but strong feeling that there was something missing between the ground and the sky,” he recalls. He felt the urge to add something that would make people take a fresh, long look at these familiar scenes. The extra thing should be “powerful and impossible to ignore, but not something that would make people panic …

Francesco

Laureato in biblioteconomia, autore del volume sull'editoria underground italiana dal titolo "Underground: ascesa e declino di un'altra editoria 1966-1977" edito da Costa & Nolan e già collaboratore della rivista di collezionismo "Vintage" con una rubrica sulla poster art.